Time has passed. Time passes. So does space. So does the material.
Phenomena move in and out of spacetimematter. Or spacetimematter move in and out of phenomena.
What is a set design in one spacetimematter is lesson plan in another. What is an initial ritual in one spacetimematter is ”Quiet please!” in another. A cap is also a power structure. A red carpet simultaneously cozy and threatening. White is innocent and death. Black is safe and bold. Sound scape is calming and threatening. Quiet is boring and meditative.
Giving an account of a spacetimematter is to make room for multiplicity. Spacetimematter is not summative, nor an equation. It is temporary and transient. It is performing something new, though repeating certain patterns. We must be aware of which patterns and power structures are repeated so often that they are taken for granted. Why is this considered beautiful? Why is this gendered? Why is this considered appropriate? In what context? What society? Why? Why not?
Timespacematter is not an individual. Neither am I. Nor you.
The entanglements, the repeated patterns, the norms, the influence of culture, the common, the history, the normal. They all lurk in the background of aesthetic. De-entangle!
/Lily
Related Blogposts
today in music we were given the assignment to draw the form of a classical piece, first we listened and drew whatever came to mind and after that we had to listen to it again but this time try to draw a form for the music that we listened to.…
Now submit. Submit. Sub mit. To the hours, the stairs the uncertainty of the floor tilting beneath your raised foot. To echoes of whirling voices, dissonance and rain bouncing on borrowed graves. To pushing, pausing wondering if this holds meaning or sympathies for floppy haired fascism. We do…