Sweden

THE VOICE OF GAS

  The Voice of Gas is moving in a multiple universe. Transcending with stillness in her heart close to earth, giving voice to honesty. The truth is vibrating… Like an animal resonating with water and air, dreaming in a large scale, predicting and watching it all come toghether. The truth is vibrating… starting it all over again, dancing, singing, making love to the creation. Slowly accepting, slowly turning, slowly shifting….

TRAVELLING TIME

The time before my stay as a Visiting Researcher stretches vastly before me, millions of sensory experiences and inputs and outputs lie between here and then. I am in my office now, in front of my screen, writing a methods chapter for an article on ideologies of futures, sorting out ideas and concepts, finding references, revising another article, moving forward though I am of course sitting very still as academics tend to do, writing…

THE IGNORANT CHOREOGRAPHER

The IGNORANT CHOREOGRAPHER – about group dances i dream about and DANCE EMANCIPATION Recently, a friend told me about amusician who writes each instrument separately, as in not in relation to the voices of the other instruments. The person does not know or care about controlling what it will sound like when put together, in relation. Instead of predicting, this person goes with one thing at a time and lets…

SEEKING ETERNAL LIGHT YEARS

What is the correspondence between time and light? How do the two connect? And is light love – or just photons? Can time be stopped? If you wonder about those questions, you may want to meet the Angel of Light and Professor Time. From their opposite directions they both seek the truth. Even though one person’s truth may be the other’s delusion. Or vice versa. You will likely find them discussing the purpose of…

THE VOICE OF THE FRAGILE

Our ability to create depends on our ability to imagine. To go beyond what already is. Beyond what we usually call reality – the social constructions and ideas designed by ourselves, that give us a feeling of being safe. Beyond the things we can touch with our skin, see with our eyes, taste with our tongue. We have a strong power inside of us. To sense on the inside. How deep can…

I FLY WITH THE WIND, FALL WITH THE RAIN, SAIL WITH THE OCEANS

You can call me The Hiker: The Hiker who travels with nature. I fly with the wind, fall with the rain, sail with the oceans – at least when I am free. I was born a long time ago, deep in the dense, green forest. With a strong connection to the essence of nature, I feel the way nature feels. Sometimes this is a good thing, but nowadays it is…

THE BROKEN MESSENGER

What is erotic? The ability to move between near and far is erotic. The ability to have your sense of self, your self-control, taken away – and to do the same for another person.  The ability to move between control and relinquishing. Between being giver and receiver. To forget that you are more than a body. To where language will disappear.   And then… to have the distance restored. You are gently…

THE UNSEEN DIPLOMAT

  We don’t know when she was born, but through handmade gesture is she able to make power structers in the room – visible and negotiatble. Silence is her voice. You can reach her inner voice through deep concentration. It is placed deep in her stomach – it sounds like something in between a lion and a tiger. She wears a lion costume. It’s her perception of the world –…

A NEW BEGINNING HAS ARRIVED

So, I am sitting here with a new book at my hand. Wondering why this book is still needed and can I openly receive the ideas within it? Will it change my life forever? Or will it pass like a wind? Can I then meet you in a room and communicate anything of matter in the now to affect the way you see the world for a few minutes? Is…

MR. RICE & PEANUTS

SOLID IS THE NEW VAGUE Mr. Rice & peanuts’ trilogy Primary matters of concern are the notion of the manifesto as supposedly solid, the triangulation of the works of Mr Rice & peanuts with Yvonne Rainer and Mette Ingvartsen, processing choreography as more/other than virtuosity on stage, i.e. a practice within the expanded choreography. starting somewhere, some – where our research aims at contextualizing the tradition of manifesto in the performing…